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This anthology contains eighteen representative examples of the particular difficulties presented by twentieth-century scores, stimulating consideration of the relationship between what is seen (the score) and what is heard (the music). The emphasis in the period before 1945 is on major composers: Mahler, Debussy, Schoenberg, Ives, Stravinsky, Bartok, Varese, Webern, and Messiaen. For the period after the Second World War the authors have chosen examples of what is new from a notational point of view in works by Cage, Boulez, Stockhausen, Penderecki, Riley, and Cardew.
Format:Paperback
Language:English
ISBN:0193210304
ISBN13:9780193210301
Release Date:December 1987
Publisher:Oxford University Press Music
Length:106 Pages
Weight:0.79 lbs.
Dimensions:0.3" x 12.5" x 9.3"
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