During her decade in prison, Kate Fitzgerald has learned a few things. The best way to survive is to absorb yourself in your own world. Never make eye contact with your fellow inmates. And the last person you can trust is your prison psychiatrist - not only is he likely to be lazy and incompetent (really, why else wouldn't he be getting rich off of well-heeled clients instead?) but if you complain about him you're going to be labelled as a "permanent malcontent" and denied parole. So when Dr. Gardonne offers Kate a temporary absence and a job working for him, she only takes it because she knows that turning him down could be worse for her in the long run - counted in prison years, of course. But the real challenge is figuring out why he would choose her. On the surface, it's pretty clear. Kate has spent her incarceration immersing herself in the writings of Sigmund Freud, and has become a recognized expert on his work. Dr. Gardonne represents the members of a psychoanalytic organization that is being attacked at its core: Anders Konzak, the hand-picked director of the Freud academy, has been boasting to the media that his new research on Freud will bring the entire profession of psychoanalysis to its knees. He's also been receiving death threats. And Kate, as an outsider, is the only one Konzak will talk to. Though she doesn't trust Gardonne, Kate accepts his offer, and she races to uncover Konzak's secrets before he publishes his work. Never one to work well with others, Kate is less than thrilled to find out Gardonne has hired a private detective to be her partner. Jackie Lawton is a hardened ex-con who has spent most of his life in prison and only recently turned things around by starting his own business. From the moment the two meet, Kate sees that it won't be easy working with a man who isn't really interested in the intellectual battle at hand and who keeps her prison time at the forefront of every conversation. And can he really be trusted? When key players - who were all last seen with Kate - begin to turn up dead, there's the very real possibility she's being set up by Gardonne. After all, who would believe the word of a convict serving time for murdering her husband? All she can hope is that following the threads of Konzak's research to his sources will keep her one step ahead of Gardonne and lead her to the real killer. With Seduction, Catherine Gildiner gives us not only a gripping detective story full of shifting characters and fast-paced twists but a remarkable intellectual thriller. Through the letters and papers of Sigmund Freud, Charles Darwin and the venerable Wedgwood family, Gildiner brings the personalities and ideological conflicts of the past to life in the present. Along the way we meet an assortment of characters, from social misfits to the demure but resolute Anna Freud, who is still living in the London house where she brought her ailing father for the last year of his life, and where she actively guards his legacy. The story takes us from Toronto to Vienna, London, the Isle of Wight, New York and back again to Toronto - each locale seen through the eyes of Kate, who relishes in the beauty of a world that has been denied to her for a decade.
Kate Fitzgerald is a rather unique individual. She is on a temporary release from prison where she was serving time for killing her husband. Why did Kate kill her husband? Was she abused? Did she come from a poverty stricken background? Was she uneducated with no real life skills? No, in fact, Kate isn't even sure why she killed her husband. Her search for answers to this exact question led to extensive self analysis and eventual fixation on the work of Freud. In turn, her passionate study of Freud led to a temporary release from prison to do research on the subject. Beyond the bizarre life of Kate Fitzgerald, my favorite part of this book was Kate herself. This is an extremely strong, intelligent, driven woman full of wit and a flaw filled realistic nature.
Without a doubt one of the most engaging thrillers this year!
Published by Thriftbooks.com User , 19 years ago
I just finished reading 'Seduction' mere minutes ago, and as soon as I finished I felt compelled to leap into cyberspace and spread the word about this novel. 'Seduction' is an intelligent, fast-paced romp through the worlds of Darwinian and Freudian theory, with some murder most foul (not to mention some Wedgwood china history) thrown in for good measure. If this sounds too pedantic, be assured that it is anything but. In order to temper the rather intellectual premise, Gildiner has created one of the funniest, smartest and most engaging female protagonists / narrators in recent memory. Kate Fitzgerald, an incarcerated felon-cum-Freudian scholar with her dead husband's blood on her hands, is one day plucked from her six-by-nine foot cell and recruited by an unctuous prison psychiatrist to investigate certain slanderous accusations being made against Sigmund Freud (and therefore the psychoanalytic community in general) by one Anders Konzak. Anders Konzak, a handsome intellectual golden boy and soon-to-be curator of the Freud archives, has suddenly (and in an embarassingly public fashion) denounced Freud as a [...] for unknown reasons. Kate is granted a temporary absence from prison, and along with another ex-con named Jackie, she begins to unravel the mystery behind Anders, Freud, and psychoanalysis itself. Although Kate, an incredibly insightful and well-read woman, is a fascinating lead character on her own, much of the novel's interest stems from her volatile relationship with Jackie. She's a glacial WASP princess, he's a gruff thug with bad teeth, and although they are both very intelligent they approach the case with very different attitudes and often clash over each other's methodologies. However, as the novel progresses a pseudo-romantic relationship begins to develop. Now, a stereotypical romance between them would be far too cliched for a novel as original and inventive as this one, but their strained 'courtship' is touching in its own way. This novel is, in many respects, similar to Dan Brown's 'The Da Vinci Code'. Both novels, while fictional, have a strong basis in historical fact, and both weave together factual information with fictional details in such a way as to create a dream-like ambience in which one is rarely sure what is real and what is not. This, however, is most certainly a good thing. Both novels also provide tantalizing glimpses into worlds that are most often highly cloistered and insular - in 'The Da Vinci Code' it was the Catholic Church, and in 'Seduction' it is the world of psychoanalysis and the highly guarded Freud Archives. However, personally I enjoyed 'Seduction' much more than 'The Da Vinci Code'. I found the narrative voice of 'Seduction' to be much more engaging and erudite than that of 'The Da Vince Code', and I found the characters to be much more compelling and fully-realized. If you enjoy thrillers with a little more intelligence than most contemporary novels allow, then 'Seduction' definitely dese
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