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Paperback Single Scene Short Stories Book

ISBN: 1423600622

ISBN13: 9781423600626

Single Scene Short Stories

Single Scene Short Stories

Edited by Margaret Bishop

The thirty-three works collected in Single Scene Short Stories each have one remarkable quality-the whole of the story takes place in one scene, one geographical coordinate, one window of time. To think of it dramatically, it is a story presented on a stage with no change of setting or costume, no voice-over summarizing or carrying the viewer from here to there. This collection contains some of the best single scene short stories ever written, the modern classics of this form.

Stories include:

"House Hunting," Michael Chabon

"The Daughter of Albion," Anton Chekhov

"The Ninth in E Minor," Fred Busch

"Crickets," Robert Olen Butler

"Intimacy," Raymond Carver

"The Nice Restaurant," Mary Gaitskill

"Hills Like White Elephants," Ernest Hemingway

"San Francisco," Amy Hempel

"Eveline," James Joyce

"Wine," Doris Lessing

"A Ruse," Guy de Maupassant

"In the Warehouse," Joyce Carol Oates

"Revelation," Flannery O'Connor

"Mrs. Carrington and Mrs. Crane," Dorothy Parker

"Wants," Grace Paley

Sudden Fiction has sold 50,000 copies.

Recommended

Format: Paperback

Condition: Good

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Great Anthology for Writing Teachers

The short stories Margaret Bishop has assembled in this collection are not only wonderful to read, but are also perfect stories for writing teachers who want to show, not tell, their students how to create effective scenes. Each of the thirty-two stories included in the anthology was chosen for "unity of effect." While all of the stories pack an emotional punch, the techniques the writers use to achieve this end are wide-ranging. Richard Bausch's story, "The Voices from the Other Room," is written solely in dialogue, giving the story a sense of urgency. In his story, "Eveline," James Joyce pulls back from the moment, using memory to uncover his protagonist's plight. Jack London employs numerous details to reveal his character's circumstance in "To Build a Fire," whereas Amy Hempel selects but a few piercing details to expose her character in "San Francisco." In terms of tone, Dorothy Parker charms the reader with "Mrs. Carrington and Mrs. Crane," while Joyce Carol Oates chills with her story, "In the Warehouse." Using various methods for centering on the precise moment in which the protagonist reveals her or his true nature, either wittingly or unwittingly, to the reader, the authors of each story in this collection provide models worthy of emulation.
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