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Hardcover Aesthetic Theory Book

ISBN: 0710092040

ISBN13: 9780710092045

Ästhetische Theorie

Perhaps the most important aesthetics of the twentieth century appears here newly translated, in English that is for the first time faithful to the intricately demanding language of the original German. The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Theodor W. Adorno's magnum opus, the clarifying lens through which the whole of his work is best viewed, providing a framework within which his other major writings cohere.

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Customer Reviews

2 customer ratings | 0 review

Rated 5 stars
A pyramidal corpus of smart ideas!

"The darkening of the world makes rational the irrational in art: it's an irrationality radically obscured". "The art doesn't imitate neither the nature nor to a concrete natural beauty, but the natural beauty by itself." "The efforts of the art by saving, in the remaining, all the transient, flowing and temporal, defending it from the stuffing though art is familiarized with it, bear a tension between the objectifying technique...

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Rated 5 stars
The definite book of modernist aesthetics

Adorno is not famous for his writing style. His prose is dense, and sometimes impenetrable for the English reader. Yet, I think Adorno's Aesthetic Theory is one of the greatest books of XX century philosophy along with Heidegger's "Being and Time", and Wittgenstein's Tractatus. I think there are three levels of reflection in this book. The first is that AT is a sociology of art. Adorno traces the social and economic conditions...

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Rated 5 stars
so what

If he doesn't like Curtis Mayfield. Should he?

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Rated 5 stars
*The* aesthtic theory of modernism

Adorno keeps your mind at thinking, not consuming thoughts. Even when you disagree with his brilliant idiosyncrasies they provoce you to think about modern art, philosophy and society.

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Rated 5 stars
in English we've never experienced Adorno's thought till now

Theodor Adorno's "Aesthetic Theory" is in one respect about the end of art;it was written partially in response to his friend Walter Benjamin. Benjamin's views on the ends of art and the pontentialities, the encrusted meanings waiting to me unleashed in mass produced art. Benjamin had thought there was an emancipatory moment in art in now the age of mechanical production. Since Adorno had outlived Benjamin until 1969, Adorno's...

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