Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, The Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Already tested in performance on the stage, this translation shows for the first time in English the striking interplay of voices in Euripides' Suppliant Women. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures with unremitting force the competing poles of the human psyche. The translators, Rosanna Warren and Stephen Scully, accentuate the contrast between female lament and male reasoned discourse in this play where the silent dead hold, finally, center stage.
The suppliants in this play by Euripides are seven women and their king (Adrastus, King of Argos) who have come to Athens and its leader, Theseus, to ask for aid in their quest. The women's seven sons had been killed in battle against Thebes in the attempt by Polyneices to regain his inheritance from his brother Eteocles (both sons of Oedipus). Argos lost the battle and both of the sons of Oedipus were killed. The new ruler of Thebes, Creon (the brothers' uncle), refused the mothers the right to recover their sons' bodies for burial. Theseus, at first, refuses to help them since it was Adrastus's folly to get involved in that war; however, Theseus is persuaded by his own mother. This is another of Euripides's "irony" plays in which he points out the folly of war, particularly wars whose origins are long in the past (such as the war Athens was currently involved with Sparta).
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