"One of the best playwrights our country, and our language, has produced." -Tony Kushner "Quirky, disturbing, and inexplicably beautiful theatrical poetry." -Cary M. Mazer, Philadelphia City Paper "Congdon writes like a woman possessed." -Nels Nelson, New York Daily News An immensely inventive and challenging writer, Constance Congdon is one of America's finest playwrights, endowed with great compassion, keen insight and an unfailing comic sensibility. Throughout the plays in her first collection, she demonstrates a range rare in writers in any age, from a somber meditation on life in the post-nuclear age (No Mercy) to madcap social satire (Losing Father's Body), from an epic historical exploration of love and sexual identity (Casanova) to her most popular play to date (Tales of the Lost Formicans), acclaimed by William A. Henry III of Time magazine as "A travel guide to Middle America conducted by aliens from outer space... If not the best new play of recent years, surely the most imaginative." Constance Congdon's plays have been produced throughout the United States and abroad. She has received playwriting fellowships from the National Endowment for the Arts and the Rockefeller and Guggenheim foundations, and is the winner of Oppenheimer/Newsday, W. Alton Jones and L/ Arnold Weissberger awards. Congdon, an alumna of New Dramatists, currently teaches playwriting at Amherst College.
i have recently read this play twice because i will soon be stage managing this very play at my university...if there is someone out that that is considering to read Constance Congdon's play, please read it. and if all else, i quote something my director told me when she was considering this play, "Constance songdon reminds me of Arthur Miller...on ACID!!!" i know it's funny, but when you are done reading this play you will understand what she meant; and it's TRUE.
a must read collection
Published by Thriftbooks.com User , 22 years ago
It is a crime that Constance Congdon is not a household name like Arthur Miller. She consistantly writes some of the best, most touching, and startling original plays that this nation has ever produced. She has written much more than this retrospective would indicate, but this is a good collection that shows a range or her style and content. It is nearly pointless to try to summarize the inclusions here as the unfolding of the unknown into something painfully familiar is part of the delight of her work.Her writing challenges the expectations of the reader/audience, without causing separation from the pieces. Anyone looking to read some plays that prove sublime enjoyment and mind-blowing freshness are not mutually exclusive would be well served to pick up this excellent volume.
Connie Congdon rocks!
Published by Thriftbooks.com User , 27 years ago
Connie Congdon is a not-well-enough known genius of late 20th Century American Theater. A contemporary of Sam Sheppard and August Wilson, her late-blooming fame is probably due to the facts that she is a woman, and that her work cannot be categorized. Her plays, as evident in this broad collection, run the gamut from the lyrical to the overheard conversation, to some magical place in-between. They are deeply moving and often hilarious. The world would do well to sit up and pay attention to this post-modern bard. Suzyn Jackso
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