From the preface: "Many of the tales in this collection appeared either in the Indian Antiquary, the Calcutta Review, or the Legends of the Punjab. They were then in the form of literal translations, in many cases uncouth or even unpresentable to ears polite, in all scarcely intelligible to the untravelled English reader; for it must be remembered that, with the exception of the Adventures of Raja Rasalu, all these stories are strictly folk-tales passing current among a people who can neither read nor write, and whose diction is full of colloquialisms, and, if we choose to call them so, vulgarisms. It would be manifestly unfair, for instance, to compare the literary standard of such tales with that of the Arabian Nights, the Tales of a Parrot, or similar works. The manner in which these stories were collected is in itself sufficient to show how misleading it would be, if, with the intention of giving the conventional Eastern flavour to the text, it were to be manipulated into a flowery dignity; and as a description of the procedure will serve the double purpose of credential and excuse, the authors give it, -premising that all the stories but three have been collected by Mrs. F. A. Steel during winter tours through the various districts of which her husband has been Chief Magistrate. A carpet is spread under a tree in the vicinity of the spot which the Magistrate has chosen for his darbar, but far enough away from bureaucracy to let the village idlers approach it should they feel so inclined. In a very few minutes, as a rule, some of them begin to edge up to it, and as they are generally small boys, they commence nudging each other, whispering, and sniggering. The fancied approach of a chuprasi, the 'corrupt lictor' of India, who attends at every darbar, will however cause a sudden stampede; but after a time these become less and less frequent, the wild beasts, as it were, becoming tamer. By and by a group of women stop to gaze, and then the question 'What do you want?' invariably brings the answer 'To see your honour' (ap ke darshan ae). Once the ice is broken, the only difficulties are, first, to understand your visitors, and secondly, to get them to go away. When the general conversation is fairly started, inquiries are made by degrees as to how many witches there are in the village, or what cures they know for fever and the evil eye, etc. At first these are met by denials expressed in set terms, but a little patient talk will generally lead to some remarks which point the villagers' minds in the direction required, till at last, after many persuasions, some child begins a story, others correct the details, emulation conquers shyness, and finally the story-teller is brought to the front with acclamations: for there is always a story-teller par excellence in every village-generally a boy.""
"Here are the tales, told by the people over the centuries in India, collected and transcribed in all their original rough ready wit, drama and poetry, together with illustrations by J. Lockwood Kipling." This collection is a treasure, for young and old. Classics such as The Rat's Wedding, Bear's Bad Bargain, The Brave Weaver, The Grain of Corn, Peasie and Beansie, The Tiger the Brahman and the Jackal... over 40 stories authentically translated from the original 1984 Tales of The Punjab. Inside dust cover: "At the turn of the century, Flora Anne Steel traveled through India, and spending countless hours, listened to the village storytellers and gathered their tales into this brilliant and definitive collection, sifting and carefully selecting the most vivid stories in their best form, but not doctoring them in any way, not even in their language. She preserved the rough, ready wit, their drama, poetry, and humanity. In addition, J. Lockwood Kipling (Rudyard Kipling's father) designed a host of ingenious and charming illustrations to accompany them, full of the flavor of India. ..." This is a collection that has been in my family's library right along side other story collections and many are paralleled with western versions of similar themes, such as "The Sparrow and the Crow" which echos the western "Three Little Pigs" I enjoyed these stories when then shared them with my children, and now with my grandchildren. They are timeless and classic. (This review refers to the 1983 Greenwhich House hardcover edition by Crown Publishing)
Enjoyable, well written collection of Punjabi fairy tales.
Published by Thriftbooks.com User , 17 years ago
The book was intended for children and thus the tales are devoid eroticism of the Arabian nights, but Steele was a great writer and translator. If you can pick up the addition with illustrations by Kipling's father.
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