The author states at the outset that Leighton's life has already been well documented, so only enough of his biography appears here to frame the context for his pictures. Instead, Newall chooses to analyze the art itself, which "... presents the world a hard, glossy carapace apparently designed to resist the critic's probe." Given this unpromising premise, I opted to study the pictures themselves, and dip only lightly into...
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Lord Frederic Leighton stands at the top of the pinnacle of British art of the late nineteenth century. Though his images of dramatic, cloaked figures are easily recognizable, few art collectors or even museum visitors recognize the name of Lord Leighton. Now, with the resurgence of interest in this school of painting his name will certainly become more of a household word. This slim though fine monograph is strong on images...
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Though I thought it could be thicker the pictures are well viewed and some like "Flaming June" take the whole page, awesome!
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