In his memoir, THE BOY WHO INVENTED SKIING, Swain Wolfe captures a West that no longer exists-from growing up on ranches in the high country of Colorado and Montana to working underground as a miner for Anaconda Copper in Butte. Swain Wolfe spent his childhood in magical places, exploring the mesas and tunnels of his father's tuberculosis sanatorium near the Garden of the Gods and later his step-father's six-thousand-acre ranch on a horse named Joe. Nature was his mirror, allowing him to escape his parents' failing marriage, his father's despair, and his mother's brutal second marriage. As a young boy, Swain risked life and limb by strapping his galoshes to homemade, cross-country skis he found in the hayloft. Aided by milk barn brooms for poles, he invented a primitive form of downhill racing. Family violence forced a move away from the mountains and wild rivers of Colorado to Missoula, Montana. Having defined himself in the natural word, he found the people in town as alien as they found him. He spent his life attempting to understand his intelligent, dangerously complex mother, who was far ahead of her time. He discovered he could immerse himself in work as he had in nature. He learned to work with draft horses and saw the end of the era of horse-drawn farm equipment. He worked in lumber mills, led a crew into one of Montana's worst forest fires, and cut timber until the trees started talking to him. But it was mining thousands of feet below the earth's surface that changed his life. Swain absorbed the skills of natural storytellers-ranchers, loggers, and miners-and tells the stories of the free thinkers, hardscrabble philosophers, desperate characters, spirited women and outsider artists who embodied the boom spirit of the West after World War II.
I guess he must have invented skiing after the main events of this book was over, but already by the time he was 21 Swain Wolfe had been through the kind of hell that Sybil did, a tragic explosion of child abuse and poverty on a TB sanitarium in long ago Colorado, where the beauty of the mountains acted as a continual reproach to the abusive families who lived on its slope. His father, Dr. Wolfe, was some piece of work all right. He was afraid of giving himself to his wife, because his heart was sort of wonky, and so his wife, Swain's lovely mother, felt ignored and hardly real, like a ghost passing through life at the sanitarium. In one effective chapter he describes a visit from his mom's talented painter brother, Bud, who takes the time to paint a gorgeous portrait of his troubled sister. Little Swain, fascinated by Bud's detailed brushwork on a ruby brooch on his mother's costume, spontaneously reaches out for it while the paint is still wet, spoiling the jewelry's perfection, reducing this trompe d'oeil to a messy blur of red. Symbolic of the mother's dashed dreams, and his own often too hasty grabs for whatever is shiny in life. I expect that was one of the reasons he invented skiing, the sheer beauty of the sport. In the painting, "she had a forced regal look that only emphasized her self-doubt and anger." Wolfe has a natural style which makes you think, if he hadn't invented skiing he might well have become a writer much earlier in a long career. Even in childhood, his mother was so helpless that he often had to make decisions for his family, and as he says, "You devote considerable energy to thinking things through from every angle." He brings the same worried care to his writing, insuring his readers a memorable, if traumatic, reading experience. He's old enough to recall some memorable meetings with real cowboys, men, he says, who had only one desire in life, to be on a horse. His meeting with Lester, who invented self-release ski bindings, probably changed his life and pointed him in the direction that would make him famous. All in all, a searing portrait of a now vanished Western landscape, and a brave boy who put his hard-won skills to the test and survived, nay conquered.
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