Charlotte Mary Yonge was one of the most prolific writers of the nineteenth century. Though perhaps best known for her popular children's books, she also wrote adult novels. Swiftly-plotted and cleanly-wrought, Yonge's work has again gained critical attention, in part because she writes about the predicament of nineteenth-century women. The Clever Woman of the Familyis a new woman novel that focuses on a group of women in a small seaside community. It is the early 1860s and British women outnumber men to such an extent that not all women can expect to marry. Rachel Curtis, the clever woman of the title, is an opinionated young woman whose yearning for a "mission" in life leads to tragicomic results. The Broadview edition contextualizes the novel's ambivalent feminism and pro-empire sentiments with materials on some of the most pertinent debates of the time.
The Clever Woman of the Family (1865) Like Dorothea Brooke of Middlemarch, Rachel Curtis (the 'Clever Woman' of the title) longs to live a more useful and more meaningful life than that generally accorded to young ladies of her station. Like Jane Austen's Emma Woodhouse, Rachel also has an arrogant habit of believing she knows better than anyone else how the world ought to be arranged. She governs her own life foolishly, and with great presumption manipulates the lives of others; and like both Dorothea and Emma, she makes colossal blunders in the process. Her actions, however, unlike Dorothea's, hurt other people more than herself; and unlike Emma's, they result in tragedy as well as comedy. The story also offers a rather unusual and utterly lovable hero, and a Persuasion-like subplot of two lovers long kept apart by family disapproval and personal misfortune. Like Yonge's other works, this novel has an instructional purpose and a high religious & moral tone. However, in this case I did not find these so intrusive as to interfere at all with my considerable enjoyment of the book. Needless to say, The Clever Woman of the Family is hardly a feminist manifesto - but then, it was the written and set in the Victorian era, when the mere idea that it was not only acceptable, but necessary, for a young woman like Rachel to read and think deeply (as the author quite clearly implies) was pretty radical stuff. (NOTE: The Broadview Edition includes a moderate number of typos, and some pages may become detached if you crack the binding.)
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