The English Room takes you on a room-by-room exploration of the English home, contrasting town with country life, rooms designed for pleasure with those for more practical needs, and rooms meant to receive visitors with those that are private retreats. Country cottages and London flats, drawing rooms and kitchens all conjure up the essence of English life.
This is a good book, and you will like it if you favor English style. Some pictures are average, but I liked it. Very cool pictures of bathrooms!
A sumptuous overview of English decorative style
Published by Thriftbooks.com User , 22 years ago
Chippy Irvine's "The English Room" is a sumptuous overview of English decorative style. She is a stunningly effective teacher, deftly combining in very little space English decorative history, English furniture and architectural styles, and the uniquely warm English touch with fabrics, floor coverings, and drapery. The text is a miniature but very thorough education, and a delightful stroll through centuries of English history.The photographs are something to behold. Photographer Christopher Simon Sykes has presented a panoply of different takes on classically English style with a sober, all-seeing eye. Nothing is prettied up--even a romantic candlelit dining room is presented in a straightforward manner--so that we are left to make up our own minds without Sykes' style being the thing we notice first about the pictures. Everything the frustrated Anglophile/decorator could want is contained within these pages. Irvine neatly divides the book in two--City (think Rex Harrison's home in the 1964 film version of "My Fair Lady") and Country (think Emma Thompson's place in either "Howards End" or "Sense & Sensibility"). Within these areas, she covers front halls, bedrooms, dining rooms, kitchens, and even bathrooms. How great-looking can a bathroom be? Well, the most beautiful bathroom I think I have ever seen in my life is featured on p. 171. It may also be one of the most beautiful ROOMS I've ever seen, featuring as it does tall, divided-light mirrors which appear to be windows; a plain white tub surrounded with black, grey-streaked marble; pilasters and pediments a-plenty, but all covered with a restrained chalk white; dentil molding and paneled doors; and a perfectly handsome paneled toilet which would be perfectly at home in a living room in a lesser home. Oh, yes, and let's don't forget the curvaceous bronze and crystal chandelier. It sounds over the top, but it is perfectly composed, a lovely cameo of a room. It ably embodies the idea that good design is never wasted, no matter how unimportant the room or how poorly it is sited. Chippy Irvine continues to make that point, and many others, throughout the pages of this delightful and handsome book.
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