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Paperback The Man with Two Left Feet and Other Stories Book

ISBN: 1513270699

ISBN13: 9781513270692

The Man with Two Left Feet and Other Stories

(Book #0.5 in the Jeeves Series)

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Format: Paperback

Condition: New

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Book Overview

Notable for the first appearance of P.G Wodehouse's popular reoccurring characters, Bertie and Jeeves, The Man with Two Left Feet and Other Stories features thirteen funny and sentimental works of short fiction. The first story in the collection, Bill the Bloodhound follows a young detective named Henry Rice, who is in love with Alice, a woman who sings in a chorus. When Alice declines Henry's marriage proposal, she admits that while she finds Henry sweet, she only wants to marry someone from her profession. Desperate for Alice's love, Henry gives theater a try. Taking on an interesting perspective, two stories in the collection, The Mixer: He Meets a Shy Gentleman, and The Mixer: He Moves in Society features the narration of a terrier-boxer mix dog, who is incredibly social and observes the behavior of the humans around him. In Extricating Young Gussie, the famed characters Bertie and Jeeves are introduced. When Bertie's cousin, Gussie, is set on marrying a woman that his mother does not approve of, Bertie's aunt, Agatha, begs Bertie and Jeeves to convince her son to do otherwise. Finally, t, he title piece of the collection, The Man with Two Left Feet depicts a sweet and tender love story, following a man named Henry and his wife, Minnie. Though they share a comfortable relationship, Henry fears that he is boring. In attempts to surprise and impress Minnie, Henry, who is a rhythmless man, attempts to learn how to dance.

Set in both London and New York, P.G Wodehouse's The Man with Two Left Feet and Other Stories feature a variety of settings just as it portrays an eclectic mix of protagonists. Crafted with masterful humor and a light-hearted tone, The Man with Two Left Feet and Other Stories remains to be a timeless collection of sentiment and humor.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Customer Reviews

2 ratings

More from Wodehouse's fantasy world

Another collection of Wodehouse stories, only one of which ("Extricating Young Gussie") is a Bertie Wooster story. Reading these stories at the same time as the first volume of Theodore Sturgeon's complete short stories constantly had me drawing comparisons between the two writers. Wodehouse never wrote fantasy *per se* (that is, Bertie Wooster never encountered a genie or a god in his garden), but in truth his stories were always fantastical. As commentators have said, the idyllic world of young men in spats and authoritative aunts was a figment of Wodehouse's imagination, and never existed at any time in England. I don't think Wodehouse would have disagreed; he knew the power of fantasy. In this volume, he tells one story ("The Mixer") from the point of view of a dog, and one of his habits was to read the entire Shakespeare's collected works every year, and Willy wasn't a stranger to fantasy, either.

The master of comedy strikes again.

Another collection of Wodehouse stories, only one of which ("Extricating Young Gussie") is a Bertie Wooster story. Reading these stories at the same time as the first volume of the Collected Theodore Sturgeon constantly had me drawing comparisons between the two writers. Wodehouse never wrote fantasy *per se* (that is, Bertie Wooster never encountered a genie or a god in his garden), but in truth his stories were always fantastical. As commentators have said, the idyllic world of young men in spats and authoritative aunts was a figment of Wodehouse's imagination, and never existed at any time in England. I don't think Wodehouse would have disagreed; he knew the power of fantasy. In this volume, he tells one story ("The Mixer") from the point of view of a dog, and one of his habits was to read the entire Shakespeare's collected works every year, and Willy wasn't a stranger to fantasy, either. (This "review" originally appeared in First Impressions Installment Twenty-One [http://www.owt.com/users/gcox/fi.contents.html].)
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