This brief version of Cohen's best-selling text uses equal measures of appreciation of theatrical arts and descriptions of the collaborative theatrical crafts to introduce students to the performance... This description may be from another edition of this product.
This was a great textbook and easy to read and follow. What I liked most about this text is the current playwrights, and screenplays that were discussed in this book. To read about it and then be able to see some of these screenplays was amazing.
I received exactly what I expected
Published by Thriftbooks.com User , 15 years ago
I received the book pictured. Other students have complained about not getting the book detailed or pictured but this buyer delivered exactly what I ordered.
Superb
Published by Thriftbooks.com User , 15 years ago
The product was delivered as schechuled and the quality of the book was better than described. Very good service, excellent at the least.
Just in time!
Published by Thriftbooks.com User , 16 years ago
I received my product in good time. I was able to study for my quiz with an older edition and still do well. I highly recommend this user.
Start here.
Published by Thriftbooks.com User , 18 years ago
Whether you are a seasoned professional or a first-time beginner, Bob Cohen's book will give you a breath of air as you slog through the sometimes smoggy atmosphere of teaching drama. One of the problems a drama teacher faces is that while everybody can act to a certain point--after all, most of us live a life of drama just navagating the simplest everyday experiences. But not all are able to capture that natural ability to adjust to life for use in an artificial environment--ie on the stage or before the camera. Cohen breaks that process down to basics. There are no esoterics here, only common sense . . . and truth. Among the exercises there is advice. Good advice. This is a great place to start before you tackle the various "Methods" that some swear by but often get between the actor and acting. I have been at this for nearly 30 years and still go back to Cohen for that breath of air I mentioned. It makes me want to go back into the darkness of the rehearsal hall to see whether I can make the magic yet again.
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