Betty Comden and Adolph Green were the writers behind such classic stage musicals as On the Town, Wonderful Town, and Bells Are Ringing, and they provided lyrics for such standards as "New York, New York," "Just in Time," "The Party's Over," and "Make Someone Happy," to name just a few. This remarkable duo, the longest-running partnership in theatrical history, also penned the screenplays for such cinematic gems as Singin' in the Rain and The Band Wagon. In the process they worked with such artists as Leonard Bernstein, Gene Kelly, Fred Astaire, Judy Holliday, and Jule Styne. They Made Us Happy is the first book to tell the full story of their careers, lives, and work, starting with their acclaimed appearances as part of the sketch troupe the Revuers and moving through their bi-coastal lives as a pair of Broadway's top writers and two of Hollywood's most valued scribes. The book takes readers on a trip through almost the entirety of the twentieth century, and along the way there are appearances by the likes of Jacqueline Kennedy Onassis, Greta Garbo, and Charlie Chaplin. Author Andy Propst brings both their produced work to life as well as many of the projects that that never made it to the stage or the screen, including an aborted musical version of Thornton Wilder's The Skin of Our Teeth, a bio-pic about director-choreographer Busby Berkeley, and their version of the book for Cole Porter's musical Out of This World. Comden and Green's wit and deft satire inspired laughs during their lives, and their musicals and movies have endured, amusing generation after generation. It's work that will always be making audiences happy.
Really Nice Look At the Achievements of Two Musical Theater Legends
Published by Jennifer Shepherd , 2 months ago
This is a great ride through musical theater and also early movie history. Betty Comden and Adolph Green were two friends and collaborators who seemed to share one remarkable brain—and it produced lyrics and script material for countless musicals, revues, and even screenplays ranging from the 40’s through the 90’s. They were at the center of everything going on within the musical theater world and were often working on a new Broadway show while having just launched a different one, while at the same time adapting or tweaking a screenplay. They were also seasoned comedic yet heartfelt performers on their own of a very high caliber.
The author does a great job charting their rise from early sketch artists/revue performers (with their friend and future star Judy Holliday) to their late stage work in TV and film, as well as their many celebrated personal appearances as a duo.
Since their story interconnects with so many other producers and composers and writers—Jule Styne, Cy Coleman and Arthur Laurents among them—if you’re a fan of musical theater or if you’re a student of Broadway history, this book is a must. An inspiring read celebrating the tremendous accomplishments of two gifted creators.
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