Each entry in this New Grove series of composers and their operas is based on articles in The New Grove Dictionary of Opera, that feature information on the lives of individual composers, their works, their librettists and interpreters, and the places where they performed. These unique books compile the meticulously researched articles into organized narratives, designed to make finding information as easy as possible without sacrificing readability. Each volume is completely up-to-date, and includes a suggested listening guide and an eight-page glossy insert containing relevant illustrations. Each volume is a must-own for lovers of opera and classical music. Giuseppe Verdi is the most famous Italian composer of opera. While he was sometimes criticized for writing music considered too "simple," his works have endured, and are still performed throughout the world today. This concise volume is a handy guide to the Verdi's life and operas, revising the original New Grove articles and adding a new introduction, a new section on modern Verdi productions, and an updated bibliography.
This book is essentially extracted from the New Grove Dictionary of Opera, gathering together the items for Verdi. It contains a chronology of Verdi's works and highly significant events in his life, a 30 page biography, followed by almost 200 pages devoted to the operas separately. A not very useful glossary and (more useful) index of roles completes the work.The individual opera discussions tend to follow a fixed pattern: a very brief characterization of the type of opera and its first performance; A list of the initial cast.; a table of the characters -- and the categories of voice for which they were written; a brief description of the background to the writing of the opera and its initial reception; a fairly lengthy synopsis of the plot and major musical feature; a brief assessment of the opera.By and large all these features are very well done. I would have liked more analysis, and at times there are tantalizing snippets of information whose relevance is not followed up. You are not likely to sit down and read this book from cover to cover -- it is presumably not intended for such use. Instead, it provides an excellent vehicle for looking up the nature of particular Verdi operas and where each one fits in to his work -- there is remarkably little about the contemporary musical scenes.
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